Let’s take a look at The Salaryman’s Wife by Sujata Massey for our ongoing research into older mystery series.
The Salaryman’s Wife* by Sujata Massey
First in the Rei Shimura mystery series, originally published in 1997.
Summary: Rei Shimura is a 27-year-old Japanese-American woman living in Tokyo, where she barely scrapes by teaching English. During a New Year’s vacation to the Japanese Alps, she discovers the body of one of the guests at the minshuku (family-run inn) where she is staying. Before long she’s caught up in the investigation while trying to avoid becoming the next victim.
This novel is all about the Japanese setting. The lodging, the food, the trips to various village and cities all play an essential part in pulling the reader into the mystery. Because the author spent time teaching English in Japan and takes frequent trips there, she is able to move past the tourist experience. She expertly captures the conflicts and inconsistencies between modern and traditional culture, as well as between Rei’s two sides, American and Japanese culture.
Public domain photo of Mount Fuji via Good Free Photos
The main character, Rei Shimura is in-your-face strong, yet sweetly unaware at times. Her Japanese-American heritage adds depth to the story. It shows the difficulties of seeming to belong to two cultures and yet being fully accepted by neither. Author Sujata Massey’s parents were from Germany and India, so she understands the conflicts of a mixed-cultural background.
The characters in the story are diverse and interesting. At times it felt like there were way too many characters, some of whom played little role in moving the plot forward. By the end, we find out at least some of the characters who seemed extraneous were in fact involved in ingenious ways. For example, she gives a meal to a homeless man in one scene. Later on he rescues her.
Sujata Massey handles the dialogue well, especially the banter between Rei and her love interest Hugh. At times, however, the content of the dialogue seemed contrived. For example, Rei meets a powerful businessman for the first time and grills him for intensely personal information. He gives her everything she wants straight out. It would have been more realistic if she had to coerce him or if he had toyed with her before spilling. This is a problem I have as a writer, too. Instead of giving each individual in the conversation their own or an opposing agenda, as is the case in the real world, they simply say what is needed to move the story forward.
In the book we are using for our ongoing reading challenge, The Bestseller Code, the authors state that very few bestsellers contain sex as a topic. It seems like some older mysteries, like this one, do have sex scenes. Massey’s scenes work well because the sex isn’t gratuitous. The scenes move the story forward because they cement the relationship between two characters and gives them a realistic motive to work together.
Although rough in spots, there are enough gems in this book that I enjoyed it. I’ll be looking forward to reading more in this series.
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